|Other Tour Dates (10)|
|Mar 3||Curren$y||Howard Theatre Washington, District of Columbia||Find Tickets|
|Mar 5||Curren$y||B.B. King Blues Club and Grill New York, New York||Find Tickets|
|Mar 26||Curren$y||The Fillmore Charlotte Charlotte, North Carolina||Find Tickets|
|Apr 4||Curren$y||Altar Bar Pittsburgh, Pennsylvania||Find Tickets|
|Apr 5||Curren$y||Baltimore Soundstage Baltimore, Maryland||Find Tickets|
|Apr 9||Curren$y||St. Andrews Hall Detroit, Michigan||Find Tickets|
|Apr 10||Curren$y||Intersection Grand Rapids, Michigan|
|Apr 12||Curren$y||House of Blues - Cleveland Cleveland, Ohio||Find Tickets|
|Apr 19||Curren$y||The South Side Music Hall Dallas, Texas||Find Tickets|
|Apr 20||Curren$y||Warehouse Live Houston, Texas||Find Tickets|
Curren$y is an American rapper from New Orleans, Louisiana.
As a teenager, he was signed to Master P's No Limit Records until 2005. He then signed with Cash Money Records and Lil Wayne's Young Money Entertainment, where he remained there until late 2007. While still at Young Money, Curren$y created Fly Society with skateboarder Terry Kennedy, first as a clothing company, then expanding to release music. He released the song, "Where Da Cash At" as the lead single for his Young Money debut, Music to Fly to, in 2006 but due to several push backs and lack of promotion, Curren$y decided to leave the label and venture off to do business on his own.
For several months, Curren$y released a series of mixtapes to gain notoriety. His work was impressive enough to land him on the cover of the XXL Magazine Freshmen 10 of 2009. Though he now had the cosign of one of the top hip-hop magazines, Curren$y was still overlooked by major labels. He then chose to sign with Amalgam Digital to release his debut album, This Ain't No Mixtape , in 2009.
Curren$y would release another album through Amalgam Digital titled Jet Files.
His latest album Pilot Talk was released July 13, 2010 under DD172 label distributed through Def Jam Recordings. It was moved back after have been intended to be released June 15.
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